词语大全简爱读后感英文

Posted 2022-10-07 简爱

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本文目录

1、词语大全简爱读后感英文

2、简爱读后感读简爱有感假期读简爱有感

词语大全简爱读后感英文

简爱读后感英文

　　参考简爱读后感英文一：

　　简爱读后感英文

　　This is a story about a special and unreserved woman who has been exposed to a hostile environment but continuously and fearlessly struggling for her ideal life. The story can be interpreted as a symbol of the independent spirit.

　　 It seems to me that many readers’ English reading experience starts with Jane Eyer. I am of no exception. As we refer to the movie “Jane Eyer”， it is not surprising to find some differences because of its being filmized and retold in a new way， but the spirit of the novel remains—-to be an independent person， both physically and mentally.

　　 Jane Eyer was a born resister， whose parents went off when she was very young， and her aunt，the only relative she had，treated her as badly as a ragtag. Since Jane’s education in Lowwood Orphanage began， she didn’t get what she had been expecting――simply being regarded as a mon person， just the same as any other girl around. The suffers from being humiliated and devastated teach Jane to be persevering and prize dignity over anything else.As a reward of revolting the ruthless oppression， Jane got a chance to be a tutor in Thornfield Garden. There she made the acquaintance of lovely Adele and that garden’s owner， Rochester， a man with warm heart despite a cold face outside. Jane expected to change the life from then on， but fate had decided otherwise: After Jane and Rochester fell in love with each other and got down to get marry， she unfortunately came to know in fact Rochester had got a legal wife， who seemed to be the shadow following Rochester and led to his moodiness all the time —-Roche

　　ster was also a despairing person in need of salvation. Jane did want to give him a hand， however， she made up her mind to leave， because she didn’t want to betray her own principles， because she was Jane Eyer. The film has finally got a symbolist end: Jane inherited a large number of legacies and finally returned. After finding Rochester’s misfortune brought by his original mad wife， Jane chose to stay with him forever.

　　I don’t know what others feel， but frankly speaking， I would rather regard the section that Jane began her teaching job in Thornfield as the film’s end—-especially when I heard Jane’s words “Never in my life have I been awaken so happily.” For one thing， this ideal and brand-new beginning of life was what Jane had been imagining for long as a suffering person; for another， this should be what the audiences with my views hoped her to get. But the professional judgment of producing films reminded me to wait for a totally different result: There must be something wrong ing with the excellence—-perhaps not only should another section be added to enrich the story， but also we may see from the next transition of Jane’s life that “Life is like a box of chocolates， you never know what you would get.” (By Forrest Gump’s mother， in the film “Forrest Gump”)

　　 What’s more， this film didn’t end when Jane left Thornfield. For Jane Eyer herself， there should always be somewhere to realize her great ideal of being independent considering her fortitude， but for Rochester， how he can get salvation? The film gives the answer tentatively: Jane eventually got back to Rochester. In fact， when Jane met Rochester for the first time， she scared his horse and made his heel strained， to a certain extent， which meant Rochester would get retrieval because of Jane. We can consider Rochester’s experiences as that of religion meaning. The fire by his frantic wife was the punishment for the cynicism early in his life. After it， Rochester got the mercy of the God and the love of the woman whom he loved. Here we can say: human nature and divinity get united perfectly in order to let such a story accord with the requirements of both two sides. The value of this film may be due to its efforts to explore a new way for the development of humanism under the faith of religion.

　　Life is ceaselessly changing， but our living principles remain. Firmly persisting for the rights of being independent gives us enough confidence and courage， which is like the beacon over the capriccioso sea of life. In the world of the film， we have found the stories of ourselves， which makes us so concerned about the fate of the dramatis personae.

　　In this era of rapid social and technological change leading to increasing life plexity and psychological displacement， both physical and mental effects on us call for a balance. We are likely to find ourselves bogged down in the Sargasso Sea of information overload and living unconsciousness. It’s our spirit that makes the life meaningful.

　　Heart is the engine of body， brain is the resource of thought， and great films are the mirrors of life. Indubitably， “Jane Eyer” is one of them.(学习座右铭)

　　参考简爱读后感英文二：

　　简爱读后感英文

　　The novel is rich in poetry， symbolism and metaphor. It does not fit easily into a definite pattern， being neither a novel of “manners” in the tradition of Austen， or a straightforward Gothic Romance in the style of Mrs Radcliffe. What Charlotte Bronte did was to create a work which cleverly blends elements of the two styles， and which remains uniquely independent of them at the same time， since it addresses issues which were at the time rather controversial.

　　The novel is written in the first person， and thus magnifies the central character – the reader enters the world of Jane Eyre and is transported through her experiences at first hand. This at once makes the work subjective， especially since we know that Charlottes Brontes own life and experiences were so closely interwoven with the heroine\'s. As well as this we learn only at the end of the novel that the events are being related to us ten years after the reconciliation with Rochester – thus the narrative is RETROSPECTIVE （looking back）。 CB is clever in blending the narrative so that at times Jane seems to be speaking as an adult with adult hindsight ， while at others she she is “in the middle” of them， as a child or young woman. The indecision which is a central issue in the book， is heightened by this device. We never know， as readers， whether to be entirely trustful of Janes actions and thoughts， because we are never sure wheher she is speaking impulsively or maturely.

　　This intensifies the readers dilemma as to what is “right” and “wrong” in the dramatic relationships which are part of JE\'s life. Can we believe what the heroine says， or is she deceiving herself? The novel is primarily a love story and a “romance” where wishes e true but only after trials and suffering. The supernatural has its place， as do dreams， portents and prophesies. The heroine begins poor and lonely and ends up rich and loved; the orphan finds a good family to replace the wicked one; all the basic ingredients of classic romantic fairytale are present.

　　The romantic element is present in two forms in Jane Eyre; the “family” aspect is dealt with in the Gateshead， Lowood and Moor House episodes， which involve the exchanging of the wicked Reed family for the benevolent Rivers one; and the Love romance is dealt with in the Thornfield and Ferndean episodes. Both aspects are， of course linked and interwoven throughout the novel.

　　There is also a strong element of realism in the novel， which， married to the romantic aspect， enhances the novel\'s strength.The sense of place is very strong; we are able to experience both exterior and interior settings with startling clarity throughout the story， in a series of vivid deive passages. The central characters are also realistic and their confrontations and sufferings change them in a believable way.

　　Even the unlikely is made plausible， with a unique blend of high drama and perceptive low edy （the attack on Mason， for instance）

　　The more fantastic romantic aspects; the coincidences; the secrets; the supernatural occurrences， are balanced by the realism， and this is of course a major strength.

　　The Gothic influence cannot be ignored， although CB has refined the technique considerably from the “authentic” Gothic of the 1790\'s. In the original genre， the heroine would typically be abducted and threatened with seduction， or worse!. There would be a lover – a respectable， well-bred young man – who would endeavor to rescue the heroine and would succeed after many trial. the seducer would be a brigand “Know that I adore Corsairs!” and he would lock the girl up in a remote castle.(莎士比亚名言)

　　There was little freedom for middle class women during the period of the Gothic novel， and this was still the case in the time of CB. Marriage especially was often a bargain， whereby fortunes were secured by using the female as a pawn. A woman\'s value largely depended therefore on her sexual purity and she was guarded and secured as a result. Men， on the contrary， were potent and free; lovers and mistresses were mon. Ironically the women who provided their services were social outcasts as a result.

　　In Jane Eyre we see elements of the Gothic romance， in that Thornfield Hall and Rochester are described very much in the brigand/castle style BUT Jane Eyre is not abducted by R. On the contrary she chooses to go there of her own free will. AND she is clear in her determination to have Rochester as a husband. Neither is there a gentleman rescuer; St John Rivers may look like a Greek God， but he is neither kind nor benevolent; driving Jane back to Ferndean， not rescuing her from it.

　　The trials which the hero is supposed to undergo in a Gothic romance are in fact undergone by the heroine in Jane Eyre. The bandit Rochester is only skin-deep. Underneath the brooding exterior is a sensitive soul， which a WOMAN frees. In this way we see that CB created rather a daring departure from conventional fiction， although there are still many aspects of the novel which remain true to Victorian convention.!

　　参考简爱读后感英文三：

　　简爱读后感英文

　　Jane Eyre — A Beautiful Soul

　　Jane Eyre， is a poor but aspiring， small in body but huge in soul， obscure but self-respecting girl. After we close the covers of the book， after having a long journey of the spirit， Jane Eyre， a marvelous figure， has left us so much to recall and to think:

　　We remember her goodness: for someone who lost arms and blinded in eyes， for someone who despised her for her ordinariness， and even for someone who had hurt her deeply in the past.

　　We remember her pursuit of justice. It\'s like a panion with the goodness. But still， a virtuous person should promote the goodness on one side and must check the badness on the other side.

　　We remember her self-respect and the clear situation on equality. In her opinion， everyone is the same at the God\'s feet. Though there are differences in status、in property and also in appearance， but all the human being are equal in personality.(党员个人总结)

　　We also remember her striving for life， her toughness and her confidence…

　　When we think of this girl， what she gave us was not a pretty face or a transcendent temperament that make us admire deeply， but a huge charm of her personality.

　　Actually， she wasn\'t pretty， and of course， the ordinary appearance didn\'t make others feel good of her， even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease， so when Miss Ingram met Jane Eyre， she seemed quite contemptuous， for that she was obviously much more prettier than \'the plain and ugly governess‘。 But as the little governess had said: \'Do you think， because I am poor， obscure， plain， and little， I am soulless and heartless? You think wrong!\' This is the idea of equality in Jane Eyre\'s mind. God hadn\'t given her beauty and wealth， but instead， God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body.

　　In my mind， though a person\'s beauty on the face can make others once feel that one is attractive and charming， if his or her mind isn\'t the same beautiful as the appearance， such as beauty cannot last for， when others find that the beauty which had charmed them was only a falsity， it\'s not true， they will like the person no more. For a long time， only a person\'s GREat virtue， a noble soul， a beautiful heart can be called as AN EVERLASTING BEAUTY， just as Kahill Gibran has said， that \'Beauty is a heart enflamed and a soul enchanted’。 I can feel that how beauty really is， as we are all fleshly men， so we can\'t distinguish whether a man is of nobleness or humbleness， but fleshly men， so we can\'t distinguish whether a man is of nobleness or humbleness， but as there are great differences in our souls， and from that， we can know that whether a man is noble or ordinary， and even obscure， that is， whether he is beautiful or not.

简爱读后感读简爱有感假期读简爱有感

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暑假读简爱有感

　　如果说“尊严”是砌起简·爱人生的地基，那“爱”便是简·爱人生中为她带来光明与希望的窗扇。

　　《简·爱》是英国作家夏洛蒂·勃朗特所创作的长篇小说，是一部带有自传色彩的文学作品。在叙述自己人生经历的同时，夏洛蒂·勃朗特也在这部书中阐释了一条人生哲理：人的自身价值，建立在尊严与爱之上。

　　尊严与爱，是简·爱与海伦的友谊。它是老师无理地用树条狠打海伦时，简·爱产生的一种气愤难平而又无可奈何的心情；它是老师无故将邋遢的标语挂在海伦额头上，践踏海伦尊严时，简·爱果断将标语扔进火炉的举动。在简·爱暗无天日的童年时代里，是海伦给了她可贵的友谊，使她彻底地明白尊严对个人的重要性，也使她懂得了朋友之间的情谊，造就了简·爱成年后伟大、理智的高尚人格。

　　尊严与爱，是简·爱面对诱惑时的理智与清醒。正当她准备与爱人罗切斯特结婚时，意料之外的罗切斯特的妻子打碎了简·爱对未来美好、圆满生活的幻想。当简·爱明白了一切之后，她说：“我要遵从上帝颁发世人认可的法律，我要坚守住我在清醒时而不是像现在这样疯狂时所接受的原则。”这时简·爱的一言一语，都深深攥紧了我的心。在爱情力量的包围下，在光明未来的诱惑之下，她依然能够坚守自己的立场，遵守做人的原则，维护自己的尊严，这种种，无一不衬出了简·爱的人格之伟大。

　　尊严与爱，是简·爱坚决守护人格底线的做法。在简·爱爱情受挫，寻找新的生活出路的途中，历尽磨难，最后被牧师圣·约翰收留。不久，简·爱得知圣·约翰是她的表兄，但他请求简·爱嫁给他并和他同去印度传教，简·爱坚决地拒绝了他，并且还因为对罗切斯特有着爱意，决定再回庄园探看罗切斯特。在简·爱再次跌入人生低谷的时候，她并没有因此一蹶不振，做出疯狂的举动，她充满理智的内心，成功换来了小说结尾众望所归的完美结局。

　　《简·爱》的结局如所有读者的愿望以偿：罗切斯特的庄园被其妻子毁了，他也因此成为了残疾人，但正因如此，简·爱不再徘徊困惑，选择了与罗切斯特结婚，获得了她心中最渴望的美好的后半人生。

　　简·爱凭借着高尚的自尊，凭借着对罗切斯特，对世界深切的爱，成功造就了自己心中梦想的人生。但在当今社会上，人们多数为了金钱、地位而失去真我，可即使简·爱面对着比这些世俗更具诱惑力的事物，她仍然能够坚守自己的尊严，怀揣着爱，走向希望。

　　如果说“爱”是绘制简·爱完美生活的马良笔，那“尊严”便是简·爱人生的建设蓝图。

词语大全 简爱读后感英文

词语大全 简爱读后感英文

简爱读后感 读简爱有感 假期读简爱有感

词语大全简爱读后感英文

词语大全简爱读后感英文

简爱读后感读简爱有感假期读简爱有感