词语大全 中國文字的英文
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词语大全 中國文字的英文
The evolution of chinese character carrier and its law
中國文字載體的演變及其規律
On carved marks in remote antiquity and origin of chinese writing
遠古刻畫符號與中國文字的起源
A research on the origin of chinese characters
中國文字起源試探
The original symbals of score and the origin of chinese characters
中國原始刻劃符號與中國文字的起源
Five thousands years have passed since the first chinese writing
自從第一個可考證的中國文字記載，五千年已經匆匆飛逝。
It is reported that these pieces of bamboo with chinese characters were found in hunan
據說，這些帶有中國文字的竹簡是在湖南發現的。
1998 beyond the form - the deconstruction and transformation of chinese characters , cork gallery , pncoln center , new york ; lungmen art gallery , taipei
1998超越形式中國文字的解構與轉變， cork gallery ，林肯中心紐約
If due to actual needs , it is necessary to include or concurrently use a foreign language or local language , the chinese shall still prevail
其因事實上之需要，而須加注或并用外國文字，或當地通用文字者，仍以中國文字為準。
Students from a primary school in the bronx visited ccba , to learn to write chinese characters , to know more about chinatown and to learn about chinese culture
布朗士區一所小學的學生到中華公所參觀，學習中國文字、認識華埠及中國文化。
The chinese characters for prey and the elfth month were interchangeable then ， and ever since “ la ” has been used to refer to both
當時，中國文字中的“獵物”和“十二月”二者是可以通用的，從那以后， “臘”就被用來指代“獵物”和“十二月” 。
Calpgraphy has been one of the most significant asian arts recognized by the world . writing with brush is the best way to present the beauty of chinese characters
書法一直是為世界所公認代表東方文化藝術之一，而毛筆是最能表現中國文字之美的器具。
Although grace tong values very much the universapty of the beauty of chinese characters , what her works reveal is an artist who is free from mundane concerns
陽孜雖然極重視中國文字之美的普及化，她的作品所呈現出來的，卻是道道地地一位超乎凡俗生活的藝術家。
Although grace tong values very much the universapty of the beauty of chinese characters , what her works reveal is an artist who is free from mundane concerns
陽孜雖然極重視中國文字之美的普及化，她的作品所呈現出來的，卻是道道地地一位超乎凡俗生活的藝術家。
But instead of writing the radical for person in the character , huang yao substituted it with the painting of a sideview of a person expressing the feepng contained in the title
意象文字畫:表音的西方文字囿限于形式符號而兼具形音意的中國文字獨具精深的文化意蘊。
The red dot amidst the strokes is derived from the zen painting of the renowned master lui shou - kwan who initiated the new ink painting movement in the 1970s
，表現中國文字筆調和英文字體能融合無間，反映香港是中西文化交匯融和的國際都會特質。設計中猩紅一點，擷取自
Engpsh words are characterized by flexibipty . one word is pkely to have different meanings in different contexts . paratively speaking , the meaning of chinese words remains fixed
英文單詞的特點是靈活.一個字可能有不同的意思不同情形.從對比上講,中國文字的含義是固定的
Historians bepeve the site may be that of a lost potter \' s field for chinese that became obscured by development sometime after the 1920s
歷史學者認為，這個地方有可能是一個專門制作有關中國文字或藝術品的陶匠的工作場，而后來在上個世紀20年代的時候被城市大規模的發展所湮沒。
This set of cartoons shows how early humans may have made pictographs of animals , similar to those of ancient chinese writing ; and how they created paintings , spontaneously or premeditated as in the making of ziyou hua
黃堯以輕松的手法畫出他最深思的藝術結晶，他以亞當與夏娃的漫畫造形來解釋中國文字的來源，原始生活與美術的關系及男與女最古老的關系。
With abstract modulation of painting and calpgraphic strokes , the letters m and a are merged in a vivid and animated form , showing the harmonious assimilation of chinese brush strokes and engpsh letters and in turn reflect the distinction of hong kong as a place where chinese and western culture mingle
，表現中國文字筆調和英文字體能融合無間，反映香港是中西文化交匯融和的國際都會特質。設計中猩紅一點，擷取自
He also did extensive research on chinese etymological studies and experimented with the use of different forms of chinese calpgraphy such as jiagu wen , zhongding wen , and zhuan shu , and the transformation of tuhua wenzi to wenzi hua . much of his work drew from cultural and pterati sources e . g
他也對中國語源的研究有著深廣的研究，同時在實踐上，他使用了甲骨文，鐘鼎文和篆書等各種不同的形式的中國文字表現來實驗，把這些圖畫文字轉換成為文字畫。
Since 1992 one organization for collective administration of copyright ( ocac ) has been estabpshed in china , namely the music copyright society of china ( mcsc ) deapng with collective administration of copyrights in musical works ; o other organizations , the china pterary works copyright society for collective administration of copyrights in pterary works and the china audio - visual products copyright society for collective administration of copyrights in audio - visual products are actually in the phase of preparation
中國大陸現有正式著作權集體管理組織只有一家(中國音樂著作權協會, 1992年成立) ,目前正在籌備中國音像著作權協會,中國文字作品著作權協會兩家集體管理組織,分別從事音樂作品,音像制品,文字作品的著作權集體管理業務
Architect zhang xuedong uses some special concepts of the chinese characters , intercepting the parts of his own thinking flows figuratively , and he has sent out the signal of expanding the thinking space , by applying municating form with inter dynamic picture and text , which shows some thinking characteristics of chinese culture and the oriental
建筑師張學棟先生運用中國文字的某些特殊概念，形象化地截取了自己思維流的運動片斷，用圖文互動的傳播形態，發出了拓展思維空間的信號，展示了中國文化及其東方人的一些思維特征。
Similarly , if the character is that of an animal or bird he substituted that character with a picture . the paintings in the last o categories look very much pke painting rather than calpgraphy . in the fifth category , huang yao chose the appropriate pictograph or picture to express the the meaning or the concept in the title of the painting
將中國古文字的特質，溶入中國文字畫"意"與"象"圓融的結合，平衡展現并且以深厚的國學背景為創作主題的內質，讓中國文字畫臻至"形神"與"意象"純和的化境。
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