广口瓶压盖机(精品推荐—珐琅彩瓷器)

Posted 2023-05-25

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广口瓶压盖机(精品推荐—珐琅彩瓷器)

瓷胎画珐琅是清代皇室自用瓷器中最具特色，釉上彩瓷中最为精美的彩瓷器。从康熙的色浓庄重至雍正的清淡素雅，到乾隆时的精密繁复的雍容华贵，使珐琅，这一洋味十足的彩料在瓷器上得到淋漓尽致的发挥。集中西风韵于一身，画尽了皇家身份的高贵与荣华。乾隆珐琅彩瓷是清代康，雍，乾三代珐琅彩瓷中最为精美的巅峰之作，具有古典美的乾隆仕女游园罐是其代表。

珐琅彩绘采用的画珐的制作技法起源于15世纪中叶欧洲比利时、法国、荷兰三国交界的佛朗德斯地区。15世纪末，法国中西部的里摩居，以其制作内填珐琅工艺为基础，发展成画珐琅的重镇，初期制作以宗教为主题的器物，后来逐渐制做成装饰性的工艺品。随着东西贸易交往的频繁，尤其自清康熙二十三年（1684年）清廷平定台湾以后，禁海开放，西洋制品开始涌入，西洋珐琅便由广州等港口传入中国，并就地设厂研制，称之为洋瓷，宫中则称其为广珐琅。当时，广州的产品多保留着西方文化的韵味，由于烧造技术不高，釉料呈色不稳定。康熙五十八年（1719年），聘请法兰西画珐琅艺人陈忠信来京，在内廷珐琅处指导烧造画珐琅器。其式样、图案主要是中国风格，少有西方画珐琅的特点。

珐琅彩瓷器

梅瓶是传统名瓷，梅瓶是一种小口、短颈、丰肩、瘦底、圈足的瓶式，以口小只能插梅枝而得名。因瓶体修长，宋时称为“经瓶”，作盛酒用器，造型挺秀、俏丽，明朝以后被称为梅瓶。

梅瓶也称"经瓶"，最早出现于唐代，宋辽时期较为流行，并且出现了许多新品种。近代许之衡在《饮流斋说瓷》一书中详细地描述了梅瓶的形制、特征及名称由来："梅瓶口细而颈短，肩极宽博，至胫稍狭，抵于足微丰，口径之小仅与梅之瘦骨相称，故名梅瓶。"关于梅瓶的用途，磁州窑白地黑花梅瓶器腹有“清沽美酒”与“醉乡酒海”的诗句。梅瓶既是酒器，又是一件令人爱不释手的观赏品。因此，这类器多制作精美，不但考虑到贮酒容量，还要注意造型优美。

镶金，读音为xiāng jīn，汉语词语，释义为把金子嵌入另一物体内，此珐琅梅瓶底部镶如意冠底座，镂空出如意纹，精美绝伦，一眼就知非凡品。

此底部可见形似一个皇冠一般的底座，外镶嵌宝石翡翠，五光十色，美轮美奂，落大清乾隆仿古款，落款端正，一看就是一件官窑器，此仿古的意思在于超越，超越先人的瓷器水准。

此款宝珠壶整体透着一股与众不同的韵味，值得让人去细细品味。整体围绕一个“珠”字而出，整器表现出珠圆玉润、骨肉亭匀的视觉效果。壶身为大珠，壶钮为小珠，壶钮与壶身相映成趣，意趣盎然，且两者比例协调、对比和谐。此作把弧线的柔美演绎到极点，密实而协调的压盖将壶身的圆满意味衬托得淋漓尽致，秀气的流把，曲线优美，收放之间见灵性。

此珐琅彩宝珠壶，珠宝点缀，镶金底座，品相完美，壶盖齐全，无任何瑕疵，当为传世之宝，极具收藏价值。

斗笠碗，碗的一种式样。广口，斜腹壁呈45角，小圈足。因倒置过来形似斗笠，故名，宋代始烧，此后历代均有烧制。

此款珐琅彩斗笠碗，也是有着超越的味道，超越之前的斗笠碗，底款落康熙御制，属于康熙亲自监督，由宫廷御匠制作而成，为宫廷所用，极具收藏价值。

此珐琅彩果盘以山水画为主题，山体采用云头皴，其柳树红枫，楼亭阁宇，微中见大，错落有置，极具观赏性。

底座同样镶嵌了莲瓣形底座，以翡翠蛋面点缀，红宝石与其相互呼应，极度奢华，内部为松石绿釉，盘边包金，做葵纹，工艺复杂，十分罕见。

硬提梁是与壶身同时制出。还有一种金属提梁壶，是用螺丝将单梁固定在系纽上，也属于硬提梁的一种。硬提梁壶，平时所占空间亦大。但提梁的形式感强，上虚下实，上轻下重，既飘逸又沉静，往往显示出一种高雅气质。

珐琅彩其制作往往极为精良，工艺极为复杂、严谨，现存世也极为稀少。不论是胎体、造型、绘画、书法、色彩、印章都达到了历史的巅峰，风格上色彩丰富、又淡雅多姿、层次清晰，即有类似西方油画的艺术效果，又有东方工笔山水花鸟画之神韵！在清代别说老百姓，就连一些高官大臣都没见过珐琅彩，其实珐琅在明代就开始引进了，当时在玻璃和铜胎上烧制，叫做铜胎珐琅，到了康熙年间就把珐琅彩应用到了瓷器上，发现瓷胎画珐琅更美，康熙的珐琅立体感很强，与铜胎珐琅神似，直到雍正时期，一改风格，以白胎为地，画的十分温润精美，更符合现代审美观，乾隆年间更是瓷器的巅峰展现，这几件珐琅彩，满身纹饰，工艺极其复杂，其品相完美，无磕无残，无任何穿线，品相完美，为宫廷重器，具有不可估量的收藏价值。

英文翻译：Porcelain embryo painting enamel is the most characteristic and the most exquisite color porcelain in the qing dynasty royal porcelain for their own use. From kang Xi's color thick and solemn to the delicate simple but elegant of yong Zheng, to the elegant and elegant of the precise and complicated when Qianlong, make enamel, this one foreign flavor dyefull color material gets incisively and vividly on porcelain. Concentrated western charm in a suit, painting the royal identity of the nobility and glory. Qianlong enamel porcelain is the most exquisite peak of the Kang, Yong and gan enamel porcelains of the Qing Dynasty, and the qianlong ladies garden pot with classical beauty is its representative.

Enamel-based painting originated in the mid-15th century in The Flanders region of Europe, where Belgium, France and the Netherlands meet. At the end of the 15th century, Limogu, in central and western France, developed into an important town of enamel painting based on its filling-in enamelwork. At the beginning, religious objects were made, and later decorative arts and crafts were gradually made. With the frequent trade between the east and the west, especially after the qing court pacification of Taiwan in 1684, the forbidden sea was opened and western products began to pour in. Western enamel was introduced into China from ports like Guangzhou, and factories were set up on the spot to develop it, which was called "western porcelain", and in the imperial court it was called "Canton enamel". At that time, guangzhou products retain the charm of western culture, because the firing technology is not high, glaze color is unstable. In 1719, in the fifty-eighth year of kangxi's reign, Chen Zhongxin, a French enamel artist, was invited to Beijing to guide the firing of painting enamel in the inner Court. Its style, design is mainly Chinese style, few western painting enamel characteristics.

Enamel porcelain

Plum vase is a traditional famous porcelain. Plum vase is a bottle with a small mouth, short neck, full shoulder, thin bottom and round feet. Because of its slender body, it was called "Jing Bottle" in the Song Dynasty and used as a wine holder. It was graceful and beautiful in shape and was called Mei Bottle after the Ming Dynasty.

Plum bottle, also known as "Jing Bottle", first appeared in the Tang Dynasty, song and Liao dynasties were more popular, and many new varieties appeared. In modern times, Xu Zhiheng described the shape, characteristics and origin of the plum Vase in detail in his book Yinliuzhai On Porcelain: "The plum vase has a thin mouth, short neck, extremely wide shoulders, narrow tibias and slightly full feet, and its diameter is only commensurate with the thin bones of plum, hence the name mei Vase." About the use of plum bottle, cizhou kiln white ground black flower plum bottle inside the belly of the poem "clear selling wine" and "drunken wine sea". Plum vase is not only a wine vessel, but also a beloved ornamental. Therefore, this kind of vessel is more exquisite, not only considering the storage capacity of wine, but also pay attention to beautiful shape.

Gold inlay, pronounced as XI āng J īn, Chinese words, meaning to embed gold in another object, the bottom of this enamel plum vase inlaid with ruyi crown base, hollow out ruyi grain, exquisite unmatched, a glance at the extraordinary products.

The bottom of this visible shape like a crown general base, inlaid with gemstones and jadeite, colorful, beautiful huan, fall qing Qianlong antique, regular signoff, a look is an imperial kiln, this antique means to go beyond, beyond the ancestors of the porcelain level.

This treasure bead pot whole is wearing a distinctive lasting appeal, is worth letting a person savour carefully. The whole around a "bead" word and out, the whole display of pearls and jade, bone and flesh pavilion uniform visual effect. The body of the pot is a big bead, the button is a small bead, the button and the body of the pot set off each other, full of interest, and the proportion of coordination, contrast and harmony. This work deduces the softness of the arc to the extreme, the compacted and coordinated lid sets off the completeness of the pot body incisively and vividly, the delicate flow handle, the curve is beautiful, and the spirituality is seen between retraction and release.

This enamel color treasure bead pot is decorated with jewelry, inlaid with gold base, perfect appearance, complete lid, without any defect, should be handed down as a treasure, very valuable for collection.

Bamboo hat bowl, a style of bowl. Wide mouth, oblique abdominal wall 45 Angle, small circle foot. Because inverted over the shape of a bamboo hat, so the name, the Song Dynasty began to burn, after all the dynasties have burned.

This enamel-colored bamboo hat bowl also has a taste of transcendence, surpassing the previous bowl, the bottom section falls under the imperial system of Kangxi, belongs to the supervision of Kangxi personally, made by the palace royal artisan, used for the palace, has great collection value.

The enamel color fruit plate takes landscape painting as the theme, the mountain adopts yuntou Cun, its willow red maple, pavilion pavilion yu, micro see big, scattered at random, very ornamental.

The base is also inlaid with lotus flap-shaped base, embellished with jade egg surface, and echoed with ruby, extremely luxurious. The interior is turquoise green glaze, the edge of the plate is wrapped in gold, and the process is very complicated and rare.

The hard beam is made at the same time as the pot body. There is also a metal girder pot, which is fixed to the tie with screws, and is also a kind of hard girder. Hard beam pot, usually occupied space is also large. But the form feeling of beam is strong, go up empty next real, go up light next heavy, already elegant calm, often show a kind of decorous temperament.

The production of enamel color is often very sophisticated, the process is very complex, strict, the existing world is also very rare. No matter the body, modeling, painting, calligraphy, color and seal have reached the peak of history, the style of color rich, elegant and colorful, clear levels, that is, similar to the artistic effect of western oil painting, but also the Oriental meticulous landscape flower and bird painting charm! Don't say people in qing dynasty, and even some senior minister, haven't seen the colored enamel, enamel has introduced in the Ming dynasty, actually on the glass and copper foetus fire at that time, called copper foetus enamel, is applied to the colored enamel porcelain to kangxi years, found that porcelain body painting enamel more beauty, kangxi enamel stereo sense is very strong, and copper foetus enamel spirit likeness, until the yongzheng period, a change of style, With the white embryo as the ground, the painting is very warm and delicate, more in line with modern aesthetics, qianlong years is the peak of porcelain show, these several pieces of enamel, decorated, the process is extremely complex, its appearance is perfect, no knock no damage, no thread, the appearance is perfect, for the court heavy ware, with immeasurable collection value.